Fillorkill
: lebensläufe extra: soll es das schon gewesen sein
Am Ende seines Lebens fehlen ein Pflaumenbaum im Garten, ein drittes Kind und ein ganz bestimmtes Foto im Familienalbum. Soll es das schon gewesen sein? Eine Erzählung:
...es fehlt ein Pflaumenbaum im Garten, der weit übers Dach reicht, und es fehlt ein Foto von der Nachbarin im Album. Seit dreißig Jahren ist sie seine Freundin. Sie verrät es den Kindern am Tag seines Todes. Zwei Tage zuvor, als er noch glaubt, dass das Altern aufzuhalten sei, solange nur die Knie mitmachen, ruft er nach ihr. Es ist ein Ruf in höchster Not und er wird sein letztes Wort sein....
Ema Jolly[1] (born 8 January 1986), better known by her stage name Emika, is an English electronic musician of Czech origin (her mother is from Příbram[2]) currently residing in Berlin.[3] Her self-titled debut album was released in October 2011 via Ninja Tune[4] and received generally positive reviews.
Emika, a classically trained musician who studied classical piano and composition,[6] grew up in Milton Keynes, England. She started to make music at school (using an old sequencer program she found on a computer stashed in a cupboard)[7] and waitressed to save up for her first Apple Mac and copy of Logic Studio.[8] Emika received her Music Technology degree in Bath, then procured an internship at the offices of the London label Ninja Tune, where she worked for a month.[9] As Bristol music scene was making a transition from drum and bass to dubstep, she went to the first parties organised by Pinch.[8]
Speaking of the reasons that made her leave Bristol, Emika explained: "I was very ill, physically, I've had to have some operations which weren't very successful and led to more, and had a long period quite surviving from morphine, really... I was in bed for many weeks. And afterwards in Bristol I became 'the ill girl'... It was very difficult for me to recover and stay in that city". In 2006,[10] she took advantage of a free flight to anywhere in Europe granted by her bank, as she got her account upgraded, flew to Berlin on her own and decided to stay there.[7] https://en.wikipedia.org/wiki/Emika
Fillorkill
: unter wilden classics: fear eats the soul
3 sat 15.05. 22.30: Ali: Fear Eats the Soul (German: Angst essen Seele auf, lit. 'Fear Eat Soul Up') is a 1974 West German film written and directed by Rainer Werner Fassbinder, starring Brigitte Mira and El Hedi ben Salem. The film won the International Federation of Film Critics award for best in-competition movie and the Prize of the Ecumenical Jury at the 1974 Cannes Film Festival.[2] It is considered to be one of Fassbinder's most powerful works and is hailed by many as a masterpiece. The film revolves around the romance that develops between Emmi, an elderly German woman and Ali, a Moroccan migrant worker in post-World War II Germany. https://en.wikipedia.org/wiki/Ali:_Fear_Eats_the_Soul
Fillorkill
: epigenetics: Life experience is written in the DNA
Behavioral epigenetics is the field of study examining the role of epigenetics in shaping animal (including human) behaviour.[1] It is an experimental science that seeks to explain how nurture shapes nature,[2] where nature refers to biological heredity[3] and nurture refers to virtually everything that occurs during the life-span (e.g., social-experience, diet and nutrition, and exposure to toxins).[4] Behavioral epigenetics attempts to provide a framework for understanding how the expression of genes is influenced by experiences and the environment[5] to produce individual differences in behaviour,[6] cognition,[2] personality,[7] and mental health.[8][9]
Epigenetic gene regulation involves changes other than to the sequence of DNA and includes changes to histones (proteins around which DNA is wrapped) and DNA methylation.[10][4][11] These epigenetic changes can influence the growth of neurons in the developing brain[12] as well as modify activity of the neurons in the adult brain.[13][14] Together, these epigenetic changes on neuron structure and function can have a marked influence on an organism's behavior.[1]
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